Wednesday, October 09, 2013

October 9, 2013--Virgins in Paradise

This must be the week for passing along quotes from my reading. 

Monday, from Woodrow Wilson, I shared A. Scott Berg's description of the leaders of the Four Powers, victors in the First World War, literally redrawing the map of the world while on their hands and knees on the floor of the president's office in Paris.

Today I offer one from Jess Walter's powerful 2006 novel, The Zero, set in the days right after the destruction of the World Trade Center at what became Ground Zero. Largely through the eyes of a policeman who was there that day, Walter takes readers on a harrowing tour of a city and a country shuddering through the aftershocks of that devastating terrorist attack.

His hero cop, Brian Remy moves through the dreamscape narrative in a state of heightened awareness and simultaneous dislocation, encountering "The Boss" (a slightly fictionalized version of Mayor Giuliani), first responders, government agents who inhabit an Kafkaesque world of mystery and half-truths, and U.S. and foreign nationals living double and and at times metaphoric lives.

One of the most vivid characters is peripheral to the main events--Walter calls him "the old Middle Eastern man"--but is an important truth-teller. At one point, he says to Remy--
"The way people here mock a religion that promises virgins for martyrs in the world after this one. Your own culture would seem to indicate that there is nothing more profound than sex, nothing more humbling or graceful or suggestive of the mystery of creation. And yet the idea of virgins in paradise somehow seems to draw your greatest scorn. Do you honestly imagine yours is a sexless heaven? What kind of paradise is it that has harps and angels but no orgasms?  
". . . You're always convincing yourselves that the world isn't what it is, that no one's reality matters except your own. That's why you make such poor victims. You truly can't know suffering if you know nothing about rage. And you can't feel genuine rage if you won't acknowledge loss. 
"That's what happens when a nation becomes a public relations firm. You forget the truth. Everything is the Alamo. You claim victory in every loss, life in every death. Declare war when there is no war, and when you are at war, pretend you aren't. The rest of the world wails and vows revenge and buries its dead and you turn on the television. Go to the cinema. 
". . .  Entertainment is the singular thing you produce now. And it is just another propaganda, the most insidious, greatest propaganda ever devised, and this is your only export now--your coffee and tobacco, your gunpowder and your wheat. And while people elsewhere die questioning the propaganda of tyrants and royals, you crave yours. You demand the propaganda of distraction and triviality, and it has become your religion, your national faith. In this faith you are grave and backward fundamentalists, not so different from the grave and backward fundamentalists you presume to battle. If there are barbarians knocking on the gates with stories of beautiful virgins in the afterlife, then aren't you barbarians too, wrapping the world in cables full of happy-ever-after stories of fleshy blondes and animated fish and talking cars?"

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