Tuesday, February 03, 2015

February 3, 2105--Sniping

We finally got around to seeing Clint Eastwood's Western, American Sniper.

This is not a typo, since Sniper is more a conventional Western of the sort Clint used to make than a traditional war movie.

In full Manichean mode, Eastwood is in familiar territory with forces of good confronting and overcoming, if somewhat ambiguously, evil. Good guy against bad guys.

It is also a biopic about Chris Kyle, the American sniper who during four tours of duty in Iraq is credited with at least 160 "kills." He is a Rambo figure. As Sly Stallone's Rambo single-handedly took on and defeated our stealthy enemies in Vietnam (a war we otherwise in real life were losing) Kyle takes on al-Qaeda fighters and through sniping and pitched firefights wipes out dozens of them though in real life they were and are winning.

Superheroes Rambo and Kyle help reconcile us to defeat by providing an alternate reality--that what we see on TV and read about in the papers is less real than what is on the big screen. Thus perpetuating the illusion that America has never lost a war.

One has to wonder why Sniper is doing so incredibly well at the box office, having already taken in more than $200 million. The highest grossing "war" movie of all time. What about it is appealing to Americans' consciousness?

The film puts on vivid and overwhelming display American exceptionalism, showing a self-made, unencumbered man taking on the world's evil forces. And, in a cool 2015-version of winning, prevails.

Eastwood and Stallone in their eras of American self-doubt have made careers out of such films.

But ironically, since I am certain this was not Eastwood's intent--he is a well-known conservative hawk--Sniper is more than anything a powerful antiwar movie.

Kyle is represented as heroic and undoubtedly deserves to be (sorry Michael Moore), but his heroism is not worthy of the situation--the Iraq War--in which it plays out. The war on the ground, in which Kyle and his comrades are unremittingly exemplary, is not worth the human cost. On either side. Even the heroic are drawn into the blood and gore, the purposeless and waste, and, yes, the evil that wars of this kind are.

In Sniper, in Western terms,  good outcomes prevail--more bad than good guys are killed, the principal evil-doer, Mustafa, an al-Qaeda sniper who was a Syrian Olympic marksman, is shot by Kyle after he kills three or four American soldiers; but in the end, as represented in Sniper, it means nothing, amounts to nothing.

Though our boys kill more of the elusive enemy than in turn get killed and maimed, as we are shown at the end of the film's climatic battle, which ends without a clear sense of outcome, as Kyle and his comrades withdraw from the field of battle more and more al-Qaeda fighters are shown to be streaming in.

With that, with his kills tallied, though the war will continue--it continues to this day (al-Qaeda has become ISIS)--Kyle decides it's time to go home.

And then when he does, he appears to suffer from post-traumatic stress disorder but, as could only happen in a Rambo or Eastwood movie, is "cured" in less than 15 minutes of film time. At first shown sitting alone at a bar nursing a beer and brooding, after spending a few minutes with a VA psychologist, who takes him on a walk down the hospital corridor where he meets cheerful veteran amputees, Kyle is back to himself and is ready to return to his wife and children, where he is soon shot by another returning veteran, who presumably has a more enduring case of PTSD.

This, of course, is not shown on screen and thus is another way Eastwood attempts to sanitize and camouflage the reality of war's horrors. In Westerns, for the same reason, the good guys are never killed on screen. They head for the sunset.

With all this absurdity and horror to obscure and cover up, how could anyone claim that what we have been up to in Vietnam and more recently Iraq makes any sense or has any clear purpose? Including Clint.


Labels: , , , , , , , , , , ,

Monday, August 04, 2014

August 4, 2014--The War Against Culture

This is not a culture war as we in the United States know it. It's not about matters such as same-sex marriage or if evolution should be taught in public schools. Our culture "wars" seem trivial in comparison to what is being fought over in the center of Iraq.

There, in Mosul, in the country's second-largest city, the Islamic State in Iraq and Syria (ISIS) has seized control and is imposing strict Islamic law--sharia. ISIS is also waging war on culture itself, on history, and on people's identity.

The headlines have been about ISIS extracting vengeance against the Shiites who are their historic enemies. How they have been rounding up and summarily executing anyone with the taint of having served in or supported the Shiite-dominated government in Baghdad.

All of this is sadly familiar. What is different is that ISIS is deliberately and systematically obliterating everything that makes Mosul Mosul and everything that connects the people there to their 8,000-year history and culture.

Mosul is one of the most ancient of cities and was once the capital of the Assyrian Empire. For centuries, at the crossroads between East and West, it was fought over and conquered in turn by the Persians, Arabs, Turks, and others, all of whom left evidence of their occupation.

Now ISIS has seized control and rather than adding their imprint to this cultural mix they are doing all in their power to obliterate all evidence of the past, especially destroying any Assyrian, Jewish, Christian, and even every Islamic shrine, the presence of which, according to their beliefs, are heretical.

Thus far they have leveled statues of Abu Tammam, a revered Arab poet, and Mullah Othman, a famous and popular 19th century musician and poet. And they have driven all Christians from the city, obliterating their holy places or forcing their conversion to ISIS's form of Islam. A form so severe that even Al-Qaeda has denounced them.

They also destroyed the grave site and shrine to the prophet Jonah whose life story plays a prominent part in the traditions of Christianity, Judaism, and Islam. Residents fear that ISIS is planning to tear down and reduce to rubble the city's ancient leaning minaret. It is older than the Leaning Tower of Pisa and its image is represented on Iraq's 10,000 dinar bank note.

    Wrecked grave site of the biblical prophet Jonah

When ISIS militants entered Mosul in June, government troops stripped off their uniforms, threw away their arms, and attempted to blend into the civilian population for at least two reasons--to save their lives and because they felt that ISIS rule would be less oppressive than that imposed by the Maliki regime.

But with their history and culture imperiled, according to the New York Times, resistance to ISIS has emerged and Mosul residents, taking up arms, are coming forward to resist further desecration of their historical and religious shrines.

This is a reminder that culture trumps politics and economics every time.

There is a lesson here for those of us who, above all else, believe in reason and are reluctant to see the geopolitical force of emotion and belief. And thus we frequently fail to understand the power of culture.

Belief systems, history, national narratives, language, customs, arts, collective memory are more powerful than flatscreen TVs, Nikes, or iPhones.

OK, maybe not iPhones.

Labels: , , , , , , , , , , ,

Monday, September 16, 2013

September 16, 2013--Win-Win-Win-Win-Win?

Even before sitting down John said, "What do you think about what's happening in Syria?"

"Let's get that out of the way," Rona said, "so we can turn to more pleasant subjects."

John slid into the booth and ordered Eggs Benedict. "I mean," he said, "Obama's a smart guy, right?" We nodded. "Not perfect. We support him, yes?" We continued to nod. "From our perspective he's made mistakes and is too quick to compromise, but about the big picture, especially anything that has to do with history, he generally gets it right. Wouldn't you agree?"

Yes," I said, "I agree. What's your point?" My eggs were getting cold.

"First he draws red lines, then he threatens to bomb Syria because they used poison gas, but then he asks Congress to authorize military action, and after that goes along with a proposal from Russia of all places to have Syria give up its weapons of mass destruction. I'm all confused." He looked over at me and shrugged.

"Here's what I think may be going on," I said. "For certain Obama is smart, very smart, and has a big picture view of the world, especially where civilization clash as well as where there is clashing within civilizations. No better example of both being the Middle East."

"I knew I could count on you to set this in context." From his tone I wondered if he was having a little fun with  me.

I was on a roll, fully caffeinated, and so undeterred I continued, "With Syria you have a situation where everyone, every interested party is backed into a corner.  Bashar al-Assad is facing a civil war that's two years old and going nowhere. Except that his country is largely destroyed and he is justifiably seen as a mass murderer of his own people. Now by using sarin poison gas.

"The remaining big powers--England, France, Russia, the U.S--are backed into corners of their own. Russia, really Vladimir Putin is Assad's chief backer, supplying him with weapons and protecting him from being sanctioned by the UN. In turn, everyone in the so-called civilized world is looking at Putin as  a new kind of Soviet-style dictator who is proceeding to snuff out all forms of dissent while attempting to contain his own internal Muslim extremists.

"Greater Syria--including Lebanon--for many years has been a part of France's anachronistic sphere of influence; and then southern Syria, including Israel and Palestine were governed in the same way by England. The Brits this time opted out of becoming involved and thus, according to Middle Eastern calculus lost standing; while France egged Obama on in an attempt to reassert their own influence in the region."

No one interrupted me so I rattled on, "The United States appears to be in the most compromised and contradictory position of all. John Kerry and Barack Obama draw red lines and threatened to attack Syria because of their use of sarin gas. They each trumpeted that, 'The United Staes doesn't do pinpricks'; and then almost instantly took back the threat so as not to alienate doves in Congress. Kerry, for example, assured his former colleagues and the world that whatever we do in Syria would be 'unbelievably small.'"

"And then there's Israel," Rona joined in, "They didn't know how to react, right, first deciding not to say anything about America's potential involvement but then feeling isolated when the U.S. seemed to back off. They began to wonder out loud about the U.S.'s red line when it comes to Iran's nuclear program. Would Obama back off from that too?"

"So far I'm with you," John said, well into his Eggs Benedict, "But I'm not seeing how this is evidence of Obama's strategic smarts. It all sounds like quite a mess to me. Half of it his making."

"A mess it is, always has been," I said. "I'm right now toward the end of Lawrence In Arabia, and though I didn't know that much about Arabia during the time of the First World War, minimally, things there were so internally tumultuous as the result of culture, history, and outside interference that there were no easy answers then, much less now."

"And so?" John asked. "I need to leave in a minute so tell me how any of this makes sense and why I should think Obama knows what he's doing."

"I think we agree that he's no hawk. He was elected to end two wars, not to start new ones. He, though, is no pushover when it comes time to approve dangerous missions. Ask Osama bin Laden about that. Or, for that matter, much of al Qaeda's original leadership. So he must be very conflicted about getting involved in Syria, even after they used sarin. Therefore he sends out mixed signals. Some inadvertently, some intentional, and sets in motion a complex set of reactions.

"The Brits look prescient and regained some of their independence and moral standing. They are no longer Bush's or Obama's or any American president's poodle. France gets to look engaged and retains a portion of its traditional role in Greater Syria. All without having to do or risk anything. Very French.

"Putin, who needed rehabilitation in the community of nations gets to look like a statesman and Russia regains some stature and--after the collapse of the Soviet Union--looks again like a version of a superpower. Which, ironically, might help make the world a safer place.

"And Israel gets what it wanted all along--the civil war in Syria will continue unabated for years and thereby reduce the threat they feel from Hezbollah and their Syrian sponsors. If the poison gas there actually is eliminated (and I think it will be--it's in everyone's best interest) that's one more thing Israel will not have to worry about."

"And what about us? What about Obama?" John asked, "How does he come out looking good and not wimpy? As someone who has credibility and needs to be taken seriously? Doesn't he feel diminished to you?"

"Yes he does," I said, "And that may be the most brilliant thing of all. And the most courageous. To be diminished."

"You're losing me," Rona interjected. "I thought we'd get to other things by now. About how beautiful the weather is and how Monday is Bristol County tax day.  I wanted to ask John a few things about our real estate taxes."

"One more minute," I said. "What's potentially courageous in what Obama initiated--and I am speculating he initiated most of these moving pieces--is taking the risk to cool a hot situation by making it appear that America is, in Syrian circumstances and perhaps all of that region, to make it appear that we are weak.

"If so, that would be very Middle Eastern. That's one of my takeaways from Lawrence In Arabia--how among tribes and clans there at times to be strong one has to act or appear to be weak. Everyone knows who''s in fact weak or strong; and when it comes to the United States they know no one is more powerful. So a president can use some of that awareness, that political capital to get things done through subtle as opposed to bellicose behavior. At times, maybe as now, a mix of both is best."

"This is not uninteresting," John said.

"Beyond this, maybe this is also a way for Obama to say that during his remaining time, at least, we're disengaging. We and the rest of the West made enough of a mess already and perhaps it's time to try something new. Let others work things out. Locally. It will be messy, but what else is new?"

"And now about the taxes," Rona was doing her best.

John said, "I have to run. One of our granddaughters is having a birthday today. She's five. Let's hope she'll grow up to live in a better world."

"Amen to that," Rona and I said simultaneously.

Labels: , , , , , , , , , , , , , , , , ,